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008			881116r19911990enkae f b 001 0 eng d
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040			_aUk _beng _erda _cUk _dUk _dEG-ScBUE
082	0	4	_a791.4375 _bDAV _222
100	1		_aDavies, Anthony, _d1936- _eauthor.
245	1	0	_aFilming Shakespeare's plays : _bthe adaptations of Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa / _cAnthony Davies.
250			_aReprinted edition.
264		1	_aCambridge ; _aNew York : _aCambridge University Press, _b1991.
300			_axiii, 219 pages : _billustrations, 1 plan ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
520			_aDavies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. Central chapters focus on Welles' Macbeth, Othello, and Chimes at Midnight; Olivier's Henry V, Hamlet, and Richard III; Brook's King Lear; and Kurosawa's Throne of Blood. Davies then discusses the dramatic problems the sources for these films pose for the film maker and he examines how these films influenced later theatrical stagings. The book concludes by exploring the demands that distinguish the work of a Shakespearean stage actor from his counterpart's in film.
600	1	7	_aShakespeare, William, _d1564-1616 _xFilm adaptations. _2BUEsh
650		7	_aEnglish drama _vFilm adaptations. _2BUEsh
650		7	_aFilm adaptations _xHistory and criticism. _2BUEsh _919312
653			_bHHUUEENN _cSeptember2019
655			_vReading book
942			_2ddc _cBB