000			01623cam a22003255i 4500
999			_c27588 _d27559
001			012608820
003			EG-ScBUE
005			20190908114608.0
008			921014s1992 enk f b 001 0deng d
020			_a0415074509 (cased)
020			_a0415074517 (pbk)
020			_a9780415074513
040			_aUk _beng _erda _cUk _dEG-ScBUE
082	0	4	_a822.33 _bHAW _222
100	1		_aHawkes, Terence, _eauthor.
245	1	0	_aMeaning by Shakespeare / _cTerence Hawkes.
264		1	_aLondon ; _aNew York : _bRoutledge, _c1992.
300			_ax,173 pages ; _c23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
520			_aWe traditionally assume that the `meaning' of each of Shakespeares plays is bequeathed to it by the Bard. It is as if, to the information which used to be given in theatrical programmes, `Cigarettes by Abdullah, Costumes by Motley, Music by Mendelssohn', we should add `Meaning by Shakespeare'. These essays rest on a different, almost opposite, principle. Developing the arguments of the same author's That Shakespearean Rag (1986), they put the case that Shakespeare's plays have no essential meanings, but function as resources which we use to generate meaning. A Midsummer Night'.
600	1	7	_aShakespeare, William, _d1564-1616 _xCriticism and interpretation. _2BUEsh
650		7	_aMeaning (Philosophy) in literature. _2BUEsh
650		7	_aReader-response criticism. _2BUEsh _939751
653			_bHHUUEENN _cSeptember2019
655			_vReading book
942			_2ddc _cBB