000 02231cam a2200325 i 4500
001 17436376
003 EG-ScBUE
005 20230315115543.0
008 120821s2013 enka f b 001 0 eng d
020 _a9780521606226 (paperback)
040 _aDLC
_beng
_erda
_cDLC
_dEG-ScBUE
082 0 4 _a792.0233
_bINN
_222
100 1 _aInnes, Christopher,
_d1941-
_eauthor.
_938525
245 1 4 _aThe Cambridge introduction to Theatre directing /
_cChristopher Innes, Maria Shevtsova.
264 1 _aCambridge :
_bCambridge University Press,
_c2013.
300 _axi, 283 pages :
_billustrations ;
_c23 cm.
336 _2rdacontent
_atext
_btxt
337 _2rdamedia
_aunmediated
_bn
338 _2rdacarrier
_avolume
_bnc
490 0 _aCambridge introductions to literature
504 _aIncludes bibliographical references and index.
520 _a"This Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors and designers, treatment of dramatic material and approaches to audiences. Offering a compelling analysis of theatrical practice, Christopher Innes and Maria Shevtsova explore the different rehearsal and staging principles and methods of such earlier groundbreaking figures as Stanislavsky, Meyerhold and Brecht, revising standard perspectives on their work, as well as analysing a diverse range of innovative contemporary directors, including Ariane Mnouchkine, Lev Dodin, Peter Brook, and Peter Sellars. While tracing the different roots of directorial practices across time, and discussing their artistic, cultural and political significance, the authors provide significant examples of the major directorial approaches and reveal comprehensive patterns in the craft of directing and the influence and collaborative relationships of directors"--
650 7 _aTheater
_xProduction and direction.
_2BUEsh
650 7 _aTheatrical producers and directors.
_2BUEsh
651 _2BUEsh
653 _bCOMAME
_cJune2015
_cOctober2015
655 _vReading book
700 1 _aShevtsova, Maria,
_eauthor.
942 _2ddc
_k792.0233 INN
_cBB
999 _c19640
_d19612