Image from Google Jackets

Women, art, and society / Whitney Chadwick.

By: Material type: TextTextSeries: World of artPublisher: London : Thames & Hudson, [2020]Copyright date: ©2020Edition: Sixth editionDescription: 599 pages : illustrations (chiefly colour) ; 21 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780500204566
  • 050020456X
Subject(s): Genre/Form: DDC classification:
  • 704.042 22 CHA
Contents:
Art history and the woman artist -- The Middle Ages -- The Renaissance ideal -- The other Renaissance -- Domestic genres and women painters in Northern Europe -- Amateurs and academics : a new ideology of femininity in France and England -- Sex, class, and power in Victorian England -- Toward utopia : moral reform and American art in the nineteenth century -- Separate but unequal : woman's sphere and the new art -- Modernism, abstraction, and the new woman -- Modernist representation : the female body -- Gender, race, and modernism after the second World War -- Feminist art in North America and Great Britain -- New directions : a partial overview -- Worlds together, worlds apart -- A place to grow : personal visions, global concerns -- The enduring legacy of feminism -- Epilogue.
Summary: Whitney Chadwick's acclaimed study challenges the assumption that great women artists are exceptions to the rule, who 'transcended' their sex to produce major works of art. While acknowledging the many women whose contribution to visual culture since the Middle Ages have often been neglected, Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class and sexuality. With a new preface and epilogue from an exciting new authority on the history of women artists, this revised edition continues the project of charting the evolution of feminist art history and pedagogy in recent years, revealing how artists have responded to new strategies of feminism for the current moment.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Collection Call number Vol info Status Date due Barcode Item holds
Book - Borrowing Book - Borrowing Central Library Second Floor Baccah 704.042 CHA (Browse shelf(Opens below)) 37380 Available 000056675
Total holds: 0

Previous edition: 2012.

Includes bibliographical references and index.

Art history and the woman artist -- The Middle Ages -- The Renaissance ideal -- The other Renaissance -- Domestic genres and women painters in Northern Europe -- Amateurs and academics : a new ideology of femininity in France and England -- Sex, class, and power in Victorian England -- Toward utopia : moral reform and American art in the nineteenth century -- Separate but unequal : woman's sphere and the new art -- Modernism, abstraction, and the new woman -- Modernist representation : the female body -- Gender, race, and modernism after the second World War -- Feminist art in North America and Great Britain -- New directions : a partial overview -- Worlds together, worlds apart -- A place to grow : personal visions, global concerns -- The enduring legacy of feminism -- Epilogue.

Whitney Chadwick's acclaimed study challenges the assumption that great women artists are exceptions to the rule, who 'transcended' their sex to produce major works of art. While acknowledging the many women whose contribution to visual culture since the Middle Ages have often been neglected, Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class and sexuality. With a new preface and epilogue from an exciting new authority on the history of women artists, this revised edition continues the project of charting the evolution of feminist art history and pedagogy in recent years, revealing how artists have responded to new strategies of feminism for the current moment.

There are no comments on this title.

to post a comment.