MARC details
000 -LEADER |
fixed length control field |
03784nam a2200385 i 4500 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
EG-ScBUE |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230413100551.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
161107t2015 enka f b 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781472575241 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
EG-ScBUE |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
EG-ScBUE |
Modifying agency |
EG-ScBUE |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.43 |
Item number |
EDG |
Edition number |
22 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Edgar-Hunt, Robert, |
Relator term |
author. |
245 14 - TITLE STATEMENT |
Title |
The language of film / |
Statement of responsibility, etc |
Robert Edgar, John Marland, Steven Rawle. |
250 ## - EDITION STATEMENT |
Edition statement |
Second edition. |
264 #1 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
London ; |
-- |
New York : |
Name of publisher, distributor, etc |
Fairchild Books / Bloomsbury Publishing, |
Date of publication, distribution, etc |
[2015] |
264 #4 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Date of publication, distribution, etc |
c2015 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
216 pages : |
Other physical details |
illustrations ; |
Dimensions |
23 cm. |
336 ## - CONTENT TYPE |
Source |
rdacontent |
Content type term |
text |
Content type code |
txt |
337 ## - MEDIA TYPE |
Source |
rdamedia |
Media type term |
unmediated |
Media type code |
n |
338 ## - CARRIER TYPE |
Source |
rdacarrier |
Carrier type term |
volume |
Carrier type code |
nc |
490 0# - SERIES STATEMENT |
Series statement |
Basics filmmaking |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references and index. |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Machine generated contents note: -- Introduction -- Chapter 1 - Semiotics: Images; The Visual Mind; Reading the Signs; Making Meaning; Codes and Filters; Case study: Seven (d: David Fincher, US); Chapter 1 Summary. Chapter 2 - Narrative: Theories of Storytelling; Structuralism; Theories of Structure; Genette's Narrative Discourse; Case Study: The Secret Life of Walter Mitty (dir: Ben Stiller); Chapter 2 Summary. Chapter 3 - Intertextuality: Text; Quotation; Allusion; Cult Film; Genre; Case Study: Citizen Kane (dir: Orson Welles); Chapter 3 Summary. Chapter 4 - Ideology: Ideological Analysis; Realism; Ideology and Genre; Case study: Dead Man's Shoes (dir: Shane Meadows); Chapter 4 Summary. Chapter 5 - Frames and Images: The Shot; Distance, Height and Framing; Mise en Scene; The Mobile Camera Frame; Time and the Long Take; Case Study: Hero (dir: Yimou Zhang); Chapter 5 Summary.Chapter 6 - Sound: Film: An Audio-visual Medium; Sound Properties; Diegetic and Non-diegetic Sound; Off-screen Space and Audio; The voice; Music; Case study: Berberian Sound Studio (dir: David Strickland); Chapter 6 Summary.Chapter 7 - Constructing Meaning: Continuity Editing; Discontinuity Editing; Montage; Pacing; Space; Case study: Psycho (dir: Alfred Hitchcock); Chapter 7 Summary.Conclusion. |
520 ## - SUMMARY, ETC. |
Summary, etc |
"Becoming an effective filmmaker involves being deliberately mindful of the structures and conventions that allow film to communicate meaning to a global audience. The Language of Film explores complex topics such as semiotics, narrative, intertextuality, ideology and the aesthetics of film in a clear and straightforward style, enabling you to apply these ideas and techniques to your own analysis or film-making. With full-colour film stills, in-depth case studies and a wide range of practical exercises, The Language of Film will help you to make the transition from consumer to practitioner - from someone who just responds to the language of film, to someone who actively uses it. In the second edition, a new chapter examines how sound contributes to narrative and space to tell stories, create imaginary worlds and shape the realist (and often non-realist) effect of cinema. Along with two case studies from the first edition, Seven (dir: David Fincher) and Citizen Kane (dir: Orson Welles), the second edition also includes five new case studies: The Secret Life of Walter Mitty (dir: Ben Stiller), Dead Man's Shoes (dir: Shane Meadows), Hero (dir: Yimou Zhang), Berberian Sound Studio (d: Peter Strickland) and Psycho (d: Alfred Hitchcock)"-- |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Motion pictures |
General subdivision |
Semiotics. |
Source of heading or term |
BUEsh |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Motion pictures |
General subdivision |
Production and direction. |
Source of heading or term |
BUEsh |
9 (RLIN) |
39027 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Cinematography. |
Source of heading or term |
BUEsh |
9 (RLIN) |
41691 |
651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Source of heading or term |
BUEsh |
653 ## - INDEX TERM--UNCONTROLLED |
Resource For college |
Communication and mass media |
Arrived date list |
November2016 |
653 ## - INDEX TERM--UNCONTROLLED |
Resource For college |
Humanities: English |
Arrived date list |
February2017 |
655 ## - INDEX TERM--GENRE/FORM |
Form subdivision |
Reading book |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Marland, John, |
Relator term |
author. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Rawle, Steven, |
Relator term |
author. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Book - Borrowing |