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In the Mood for Love.

Contributor(s): Criterion Collection/Janus Films (Firm) [dst] | Kanopy (Firm) [dst]
Material type: FilmFilmPublisher: Criterion Collection/Janus Films, 2000Publisher: [San Francisco, California, USA] : Kanopy Streaming, 2016Description: 1 online resource (streaming video file) (99 minutes): digital, .flv file, soundContent type: two-dimensional moving image Media type: computer Carrier type: online resourceUniform titles: Kanopy Criterion collection. Subject(s): Foreign language films | Motion pictures | Asian StudiesGenre/Form: Asian Studies | Feature filmsDDC classification: 791.4372 Online resources: Streaming video | Cover image Summary: Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar-wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments.. With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-bin, this film has been a major stylistic influence on the past decade of cinema, and is a milestone in Wong’s redoubtable career..
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Item type Current location Collection Call number Status Date due Barcode Item holds
CD | DVD - Movie (NB) CD | DVD - Movie (NB) Central Library
Second Floor
Baccah 791.4372 INT (Browse shelf) Not for loan 000050178
Total holds: 0

Title from title frames.

Film

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Originally produced by Criterion Collection/Janus Films in 2000.

Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar-wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments.. With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-bin, this film has been a major stylistic influence on the past decade of cinema, and is a milestone in Wong’s redoubtable career..

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