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The treasures of Islamic art in the museums of Cairo / edited by Bernard O'Kane ; introduced by Suzanne Mubarak.

Contributor(s): O'Kane, Bernard [editor.] | Mubarak, Suzanne [author of introduction, etc.] | Matḥaf al-Fann al-Islāmī (Cairo, Egypt) | Museum of Islamic Ceramics (Cairo, Egypt)
Material type: TextTextPublisher: Cairo ; New York : The American University in Cairo Press, c.2006Description: xv, 312 p. : ill. (chiefly col.) ; 34 cmISBN: 9774248600; 9789774248603Subject(s): Islamic art -- Catalogs | Islamic decoration and ornament -- Egypt -- Cairo -- Catalogs | Art -- Egypt -- Cairo -- Catalogs | | Generalities Communication and mass media Engineering, Architecture February2019DDC classification: 704.948970746216 Online resources: Contributor biographical information | Publisher description
Contents:
The Museum of Islamic Art in Cairo / Farouk S. Asker -- Introduction to Islamic art / Bernard O'Kane -- The Umayyads and Abbasids (658-1258) / Faroud S. Asker -- The Fatimids (969-1171) / Mohamed Abbas -- The Ayyubids and early Mamluks (1171-1382) / Bernard O'Kane -- The Burgi Mamluks (1382-1517) / Mohamed Hamza Isma�il al-Haddad -- Ottoman art (1517-19th century) / Noha Abou-Katwa -- Iranian art / Bernard O'Kane.
Summary: "Cairo's museums are home to some of the richest collections of Islamic art in the world. Long the seat of great dynasties, whose rulers and descendants both amassed and patronized works of art, Cairo's status as one of the wealthiest and most populous cities of the medieval world is reflected in the exquisite arts and crafts that make up its collections, which expanded in the twentieth century through the purchase of private collections so that they now include not just the arts of the dynasties that made Cairo their capital, such as the Fatimids, Ayyubids, and Mamluks, but material from other important areas of the Islamic world, such as Iran and Turkey, as well." "Masterpieces of every medium are represented, including the decorative arts of ceramics, metalwork, textiles, woodwork, glass, carved stone and ivory, and the art of the book. The objects vary from pieces made for purely secular purposes, many of them with blazons showing that they were the property of the great amirs of the time, to some of the choicest examples recovered from the architectural masterpieces that permeate Cairo's landscape." "An introductory chapter guides the reader into the world of Islam and its art, while subsequent chapters unfold and describe the riches of the works of art that were crafted and amassed throughout the ages. The book is illustrated throughout with specially commissioned color photographs."--Jacket.
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Item type Current location Collection Call number Vol info Status Date due Barcode Item holds
Reference (NB) Reference (NB) Central Library
Second Floor
Diwan 704.948970746216 TRE (Browse shelf) 124070 Not for loan 000023152
Reference (NB) Reference (NB) Central Library
Second Floor
AUC 704.948970746216 TRE (Browse shelf) 16583 Not for loan 000044309
Total holds: 0

Includes glossary.

Includes bibliographical references and index.

The Museum of Islamic Art in Cairo / Farouk S. Asker -- Introduction to Islamic art / Bernard O'Kane -- The Umayyads and Abbasids (658-1258) / Faroud S. Asker -- The Fatimids (969-1171) / Mohamed Abbas -- The Ayyubids and early Mamluks (1171-1382) / Bernard O'Kane -- The Burgi Mamluks (1382-1517) / Mohamed Hamza Isma�il al-Haddad -- Ottoman art (1517-19th century) / Noha Abou-Katwa -- Iranian art / Bernard O'Kane.

"Cairo's museums are home to some of the richest collections of Islamic art in the world. Long the seat of great dynasties, whose rulers and descendants both amassed and patronized works of art, Cairo's status as one of the wealthiest and most populous cities of the medieval world is reflected in the exquisite arts and crafts that make up its collections, which expanded in the twentieth century through the purchase of private collections so that they now include not just the arts of the dynasties that made Cairo their capital, such as the Fatimids, Ayyubids, and Mamluks, but material from other important areas of the Islamic world, such as Iran and Turkey, as well." "Masterpieces of every medium are represented, including the decorative arts of ceramics, metalwork, textiles, woodwork, glass, carved stone and ivory, and the art of the book. The objects vary from pieces made for purely secular purposes, many of them with blazons showing that they were the property of the great amirs of the time, to some of the choicest examples recovered from the architectural masterpieces that permeate Cairo's landscape." "An introductory chapter guides the reader into the world of Islam and its art, while subsequent chapters unfold and describe the riches of the works of art that were crafted and amassed throughout the ages. The book is illustrated throughout with specially commissioned color photographs."--Jacket.

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