The rhetoric of fiction / by Wayne C. Booth.Material type: TextPublisher: Chicago ; London : University of Chicago Press, 1983Edition: Second editionDescription: xix, 552 pages ; 21 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 0226065588 (pbk.); 9780226065588 (pbk.)Subject(s): Fiction -- Technique | | Humanities: English October2018Genre/Form: -- Reading bookDDC classification: 808.3 Online resources: Publisher description | Table of contents only
|Item type||Current location||Collection||Call number||Status||Date due||Barcode||Item holds|
|Book - (Non borrowing)||Central Library Second Floor||Baccah||808.3 BOO (Browse shelf)||Not for loan||000043635|
|Book - Borrowing||Central Library Second Floor||Baccah||808.3 BOO (Browse shelf)||Available||000043636|
|Book - Borrowing||Central Library Second Floor||Baccah||808.3 BOO (Browse shelf)||Available||000043637|
Includes bibliographical references and index.
"Rhetoric is the author's term for the means by which the writer makes known his vision to the reader and persuades him of its validity; and he demonstrates convincingly that there is no essential difference between ostentatiously rhetorical novelists like Fielding and Dickens, and the admired masters of impersonality--Flaubert, James, Joyce ... this is a major critical work which should be required reading for everyone concerned in the academic study of prose fiction."
Artistic purity and the rhetoric of fiction -- General rules, I: "True novels must be realistic" -- General rules, II: "All authors should be objective" -- General rules, III: "True art ignores the audience" -- General rules, IV: Emotions, beliefs, and the reader's objectivity -- Types of narration -- The authors's voice in fiction -- The uses of reliable commentary -- Telling as showing: dramatized narrators, reliable and unreliable -- Control of distance in Jane Austen's Emma -- Impersonal narration -- The uses of authorial silence -- The price of impersonal narration, I: Confusion of distance --
The price of impersonal narration, II: Henry James and the unreliable narrator -- The morality of impersonal narration.